Department Details

Department of English

1)    Chatterjee, C. (2022). Of Letters,Technology and the Human Condition. In A. Dutta(Ed.) , Stones and Bones. India: Chapakhana. ISBN: 9788195831104.
2)    Chatterjee, C. (2020). Literature as History: Rethinking Literary Experimentations through the Sonnet in Bengali and Marathi. In J. Wamburkar(Ed.), Indian Modernity: Challenges and Responses (pp.177-187). Pune, India: The Unique Foundation. ISBN: 9788194532811.
3)    Chatterjee, C. (2019). New Directions In Translation Studies: Some Thoughts. In A. Rath(Eds.), Critical Essays on Literature, Language, and Aesthetics: A Volume in Honour of Milind Malshe (pp.189-199). United Kingdom: Cambridge Scholars Publishing. ISBN: 9781527522503.
4)    Chatterjee, C., Gayakavad, V. (2019). Travels of Song-Texts: Hindi Film Songs in Translation. In S. Mudgal(Eds.), Shabd aur Sangeet: Unravelling Song-Text in India (pp.43-66). New Delhi, India: Three Essays Collective. ISBN: 9789383968336.
5)    Chatterjee, C. (2018). Bhudev Mukhopadhyay. In D. Pathak(Eds.), Modern South Asian Thinkers. India: SAGE Publications. ISBN: 9789352806775.
6)    Chatterjee, C. (2018). Michael Madhusudan Dutt. In D. Pathak(Eds.), Modern South Asian Thinkers. India: SAGE Publications. ISBN: 9789352806058.
7)    Chatterjee, C. (2017). Performative Implications of Genres: A Critical Rumination. In D.N. Pathak(Eds.), Culture and politics in South Asia: Performative communication (pp.191-204). India: Taylor and Francis. ISBN: 9781138201132.
8)    Chatterjee, C. (2017). Text and Contexts:The Politics of Literary Translation. In S. S.Ahmed(Ed.), Multilingualism in India and Translation (pp.25-40). Banglore, India: Kuvempu Bhasha Bharathi Pradhikara. ISBN: 9789386504920.
9)    Shirsath, H.G. (2016). Perception of cinematic images . In A. Gagare(Eds.), Changing Media Changing Audience Revitalizing Theories of Production, Promotion and Active Audience (pp.163-172). Delhi, India: Lenin Media . ISBN: 97893857160707.
10)    Shirsath, H.G. (2015). Design and Digitality. In M. Reddy(Ed.), Metamorphosis of New Media and Digital Culture. New Delhi, India: Lenin Media. ISBN: 9789385160516.
11)    Chatterjee, C. (2015). Translation as Enabling: A Case-study of Genre and Translation. In M. Sahi(Ed.) , Cultural Contexts and Literary Forms: Essays on Genre(Goethe Society of India’s Yearbook) (pp.75-91). Switzerland: Peter Lang International Academic Publishing. ISBN: 9783034319065.
12)    Chatterjee, C. (2015). Translated City: The City in Satyajit Ray’s Films. In T. Koebner(Eds.) , FILM-KONZEPTE 39 - Satyajit Ray (German Edition) (pp.67-78). Edition Text + Kritik. ISBN: 9783869164465.
13)    Chatterjee, C. (2015). Translated City – Die Großstadt in Satyajit Rays Filmen. In S. Marschall(Ed.), FILM-KONZEPTE 39-Satyajit Ray (pp.67-77). Germany: edition text + kritik. ISBN: 9783869164472.
14)    Chatterjee, C. (2014). Introduction. In C. Chakraborty(Ed.) , The Girl who wished to be alluring and other stories. Kolkata, West Bengal: Avenel Press. ISBN: 9380761600/9789380761602.
15)    Korde, B.S. (2013). Key-note Address on Literature of Resistance or Dalit Literature. In C. Ghosal(Eds.), Marginal Writings in English: Bengali and Other Regional Literatures (pp.1-19). New Delhi, India: Authrospress. ISBN: 9788172737177.
16)    Korde, B.S. (2013). Philip Roth’s Deception: An Intrguing Semi-autobiographical Novel. In P. Roy(Eds.), World English Literature: Bridging Oneness (pp.30-42). Delhi, India: Authors Press. ISBN: 9788172737054.
17)    Korde, B.S. (2012). Treatment of Evil in Girish Karnad’s Tughlaq. In R.T. Bedre(Ed.), Critical Essyas on Indian English Drama (pp.83-88). Kanpur, India: SAHITYAYAN Publishers & Distributors . ISBN: 9788190926614.
18)    Jaaware, A., Bhirdikar, U. (2012). Shakespeare in Maharashtra 1892-1927: A Note on a Trend in Marathi Theatre and Theatre Criticism. In S. Chaudhuri(Eds.), The Shakespeare International Yearbook 12: Special Section, Shakespeare in India. United Kingdom: Ashgate Publishing Ltd..
19)    Korde, B.S. (2011). Landscape in Sylvia Plath’s Crossing the Water and Winter Trees. In U. Jana(Eds.), Ecological Criticism for Our Times: Literature, Nature, and Critical Inquiry. New Delhi, India: Authorspress. ISBN: 9788172735883.
20)    Korde, B.S. (2011). Dalit Literature in Marathi as a Part of Indian Literature: A Brief Survey. In J. Sarangi(Ed.), Writing as Resistance: Literature of Emancipation (pp.152-165). New Delhi, India: Authors Press. ISBN: 9789381030202.
21)    Korde, B.S. (2011). Dalit Literature in India with Special Reference to Dalit Literature in Marathi: A Brief Survey. In M. Dasan(Eds.), Mapping Marginality: Premises and Perspectives (pp.24-34). Chennai, India: Emerald Publishers. ISBN: 9788179663066.
  

Publications Before 2011


22)    Korde, B.S. (2009). Indian Dalit Poetry: An Overview. In N.D.R. Chandra(Ed.), Multicultural Literature in India: Critical Perspectives, Vol. 1 (pp.1-19). New Delhi, India: Sarup Book Publishers . ISBN: 9788176259255.
23)    Korde, B.S. (2007). Marlow in Joseph Conrad’s Heart of Darkness. In P.K. Mukhopadhyay(Ed.), Literary Spectrums: Recent Studies in English Literature (pp.181-191). New Delhi, India: Sarup & Sons. ISBN: 9788176258098.
24)    Korde, B.S. (2005). ANNA BHAU SATHE: A Literary Genius Committed to the Cause of the Exploited and the Disadvantaged. In C.B. Deshpande(Eds.) , Literary Endeavours: A Festschrift for Prin. Dr. R. G. Agarwal (pp.301-305). Jalna, India: Dr. R. G. Agarwal Gaurav Samiti.
25)    Korde, B.S. (2004). Sin, Suffering and Salvation in Nathaniel Hawthorne’s The Scarlet Letter. In H. Gahlot(Ed.), Sin, Suffering and Salvation in Literature (pp.55-63). New Delhi, India: Radha Publications. ISBN: 9788174873347.
26)    Rao, R.R. (2001). Memories Pierce the Heart: Homoeroticism Bollywood Style. In A. Crossman(Ed.) , Queer Asian Cinema: Shadows in the Shade. New York, United States: Haworth Press. ISBN: 9781560231394.
27)    Korde, B.S. (2001). The Theme of Marginality in Anna Bhau Sathe’s Novels & Short Stories. In N.M. Aston(Ed.) , Literature of Marginality: Dalit Literature and African–American Literature (pp.83-92). New Delhi, India: Prestige Books. ISBN: 9788175511163.
28)    Rao, R.R. (2000). Because Most People Marry Their Own Kind: A Reading of Shyam Selvaduria’s Funny Boy. In R. Mohanram(Eds.), hifting Continents/Colliding Cultures: Diaspora Writing of the Indian Subcontinent (Cross/Cultures). Atlanta, Georgia: Rodopi B.V.. ISBN: 9789042012615.