Department Details

Centre for Performing Arts

1)    Kunte, K. J. (2019,March, 5). Gurukula and Modern institutions: A Comparison. In H. Nagendra(Ed.), Proceedings of Challenges in Teaching and Learning Classical Music at the University Level(pp.1-7). Bengaluru, India: Darpan. ISBN: 9789388478366.
2)    Kunte, K.J. (2018,October, 6). Relevant areas of research in Indian Musicology today. In S. More(Ed), Proceedings of Special Issue For National Conference On Research In Music (pp.21-24). SNDT Women's University, Pune: Department of Music, S.N.D.T. Women’s University. ISBN: 2348-7135.
3)    Kunte, K.J. (2018,January, 10). Swarartha: a unique blend of literature and music. In K. Ingle, C. Banavat, B. Nagdive(Eds.), Proceedings of Role of Literature in Various forms of Indian Music(pp.28-41). Mumbai; India: Department of Music, University of Mumbai. ISBN: 9789352919789.
4)    Bhole, P.D. (2018,November, 5-6). The Paradox of Existance: The Nature of Indian Folk Theatre in 21st Century. In Shaig Safarov(Ed.), Proceedings of 5th Baku International Theatre Conference(pp.208-209). Baku; Azerbaijan: Ministry of Culture and Tourism of Azerbaijan Republic.
5)    Phadke, P.A. (2015,June, 28-July, 2). The Concept of Nayaka for the style of Bharatanatyam. In G. Bocalli, R. Tripathi, S. Chakraborty(Eds.), Proceedings of 16th World Sanskrit Conference (pp.175-176). Bangkok; Thailand: Pragun Publication. ISBN: 9789380397S66.