Department Details

Centre for Performing Arts

1)    Kunte, K.J. (2018,January, 10). Swarartha: a unique blend of literature and music. In K. Ingle, C. Banavat, B. Nagdive(Eds.), Proceedings of Role of Literature in Various forms of Indian Music(pp.28-41). Mumbai; India: Department of Music, University of Mumbai. ISBN: 9789352919789.
2)    Bhole, P.D. (2018,November, 5-6). The Paradox of Existance: The Nature of Indian Folk Theatre in 21st Century. In Shaig Safarov(Ed.), Proceedings of 5th Baku International Theatre Conference(pp.208-209). Baku; Azerbaijan: Ministry of Culture and Tourism of Azerbaijan Republic.
3)    Kunte, K.J. (2018,October, 6). Relevant areas of research in Indian Musicology today. In S. More(Ed), Proceedings of Special Issue For National Conference On Research In Music (pp.21-24). SNDT Women's University, Pune: Department of Music, S.N.D.T. Women’s University. ISBN: 2348-7135.
4)    Phadke, P.A. (2015,June, 28-July, 2). The Concept of Nayaka for the style of Bharatanatyam. In G. Bocalli, R. Tripathi, S. Chakraborty(Eds.), Proceedings of 16th World Sanskrit Conference (pp.175-176). Bangkok; Thailand: Pragun Publication. ISBN: 9789380397S66.